Tempus Fugit

Time Flies.  Its been a couple of months since the last update, and frankly its not because we haven't been up to much; quite the reverse, and so this is a general little whats-been-happening post, which will be followed by some more in-depth posts over the next week or so to bring things up to date.

Spring finally Sprung sometime in late May, and in the space of about a week, things started to finally look nice, which was an aid to photography.  Above is East Riddlesden Hall in Keighley, which Ben has been doing some photography at for the Day Job.

This was followed by a visit to another National Trust property, this time Penrhyn Castle in Wales.  Its a nice, big 'fake' castle (built by the Penrhyn family, owners of a very large quarry enterprise nearby), with lots of interesting interiors that you're not properly allowed to photograph.  Given that the weather was still a bit rough out in Wales, we used it as an opportunity to try out some different angles and approaches to photographing around the place.

Our next 'random' visit (to somewhere that we didn't have a commission/specific reason to photograph at) was the Haworth 1940's weekend.  Its a big event in the local calendar, and for two days the village is rammed with people, many of whom dress up in period uniforms, civilian clothing, etc.  Preserved old cars/military vehicles, aircraft fly-pasts, the works.  We'd been wanting to go for a while, and this was the first year we both had days off which coincided.  We didn't end up taking many pics in the end as it was so crowded, just soaked up the atmosphere of the place. 

Onto more commissioned-related matters, and a trip to the rather nice Kings Croft Hotel, in Pontefract, for a site recce.  More on this coming up soon.

Over the last couple of months we've been busy with a couple of commissions, some exhibition entries and gallery proposals, a few gallery visits/opening nights, and various other odds and ends, which will appear in a bit more depth in some posts during this week.  And just to leave this brief catch-up post, a shot of a spring sunset over Ogden Water, near Halifax.

April Happenings

So, a little recap of what we have been up to in April and early May (posted a little later than planned because the Day Jobs have both been very busy with Easter and related events).  An ongoing problem with Internet signal in our part of the valley has contributed somewhat to this laxity with updates, but that can't be helped for the time being.  At some point we’ll get the Internet properly, and can properly grasp the whole social-media aspect of promoting our work.

First thing though is to mention the little informal review we both had of our situation regarding art and photography.  In order to focus on our Day Jobs and the steady income they provide, we realised we had been neglecting things somewhat with the art and photography, so we’re making a conscious effort to get back into doing work this year.  More open calls, exhibition proposals, self-publishing, gallery visits, and so on.  Likewise we’re focusing our efforts mainly on Art Photography rather than strict documentary work, as the doc and portraiture fields are somewhat crowded at the moment, and we’ve both come to the conclusion that we much more enjoy doing gallery-type work in this field.  That’s not to say that we wont be doing commissioned stuff though- we have a couple of weddings coming up (something we find satisfying to do) and some documentary shoots for our jobs or other organisations which we are involved with, like the Scouts.

Speaking of which, Amy undertook some more commissioned work for the Scouts during May, both at the St Georges Day parade/ceremony at Bradford Cathedral, and also at the launch of the iScout Bradford event, at LOCATION.  These were just a couple of ‘normal’ shoots to document the events really, but it’s nice to be able to contribute to scouting in this way.

The Day Jobs continue to provide occasional opportunities for unusual and interesting work; Amys work at school means opportunity to try lots of different art and design techniques that spill-over into other self-led projects, and sometimes I end up doing shoots for the tearoom; recently I did some promotional pictures to be used on an internal revamp of the website, a couple of which are here:

I (Ben) attended the Diesel Gala on the Keighley and Worth Valley Railway, and for once found a visit to the line coincided with bright sunshine and blue skies, which is almost unheard of for one of my transport photography expeditions.  A nice opportunity to get some train photography done this year, and in the company of several other photographer friends who I don’t get to see nearly often enough these days, though the increasing popularity of the KWVR for photographers, with a few ‘big names’ in the train-photo field being present, means a constant need to find fresh angles and unusual locations for the shots.  I rather like the challenge, even if the resulting images are perhaps too unconventional to sell to the mainstream magazines.

Art-wise (as opposed to photography) Amy has been getting on with some work using recycled materials ready for an open call, based on some work she did as a demonstration piece for her school job.  There will be a bit more on these when we get a little closer to the deadline.

An upcoming shoot is planned featuring a rather amazing location at my work, a National Trust property in the Aire Valley.  Down on the river Aire is a bend in the river where a load of ceramic waste has been dumped, and there’s a sort of natural beach covered in smashed Victorian tiles and bottles.  I made it down there with a minicam last week, and want to return with a proper SLR camera soon.  There are a number of locations, which would make amazing backdrops to fashion/portraiture shoots too, which is worth bearing in mind…

What’s in the pipeline for May/June then?  Well, there’s the aforementioned open call featuring recycled materials which both of us will be entering (though I still haven’t properly planned what I shall be doing yet).  We’ve also assembled some exhibition proposals to try to communicate to galleries, featuring some of the big, sprawling projects we’ve undertaken in the past.

   Moving more into the ‘Art’ side of things, we’ve decided to push more emphasis onto doing crafty stuff, and a few projects are in the planning stages.  Something I’ve wanted to do for a while are T-Shirt designs (having made a few over the years), and I’m roughing some out based on past projects like the steampunk-themed “Century Survey” and also “HappyGoth”.  There’s a website I’ve found which lets you sell your designs through, so I’m looking into it.

   Work is currently underway on designing a dedicated folio site for Amys work, and looking back at old projects has prompted thoughts of returning to some of them for a revisit (such as finding and documenting some of the locations visited along the Cumbrian Coast in 2007 for the Final Major), and has also made me wonder about doing another big, mad, portraiture shoot out on location somewhere… Time will tell.

On Combining the Day Job with Photography

So, feb/march turned out to be way busier than expected, largely down to things like collecting a new car to replace the dead Ka, sorting some stuff out with galleries, but mainly with the Day Jobs being a bit busy.  It is an unfortunate fact of life when it comes to doing freelance art photography that you have to find a way to financially support your artwork.

However, every now and then an opportunity arises to try and combine the Day Job with the Photography Job, hence this little shoot.  I work as a manager at a National Trust Tea Room, which suits my love of Tea very nicely.  Recently I decided (post-refurbishment of the tearoom) that I wanted to try and do either a new sign or little poster that could go on the blog for our property, so asked Amy to pop in and do some photography.  So to the equal bafflelment of customers and some staff, Amy appeared with camera, mini-lighting rig, and other arcane bits of kit, and set up at the back of the tearoom to get some shots.  The finished piece falls foul of NT branding guidelines (because the font is wrong) and so cant be put up in the tearoom itself, but being as it cost nowt to do for either side, then its not so bad and could be put on the blog...

On the subject of combining work with photography, a shot below from another series shot on one of my days off, but on-site, and done using miniatures from the old Britannia Model Village (or The Project Which Refuses To Die And Stay Dead as I now find myself thinking of it).  There's more info on my model making blog, see links on the right...

Naturally it wouldnt be a Ribbon blog without train photographs, so here we go.  Technically this was also combing work with photography, as we stopped off at the National Railway Museum on the way home from a meeting with a cafe supplier in Easingwold, just outside York... 

The occasion was to see a loco temporarily bought over from the other side of the pond- one of two A4 Pacifics on loan from America and Canada for an anniversary event, bringing together all surviving members of the class of loco.  "Dwight D Eisenhower" is seen here alongside our own "Mallard" which holds the World Speed Record for a steam loco.  Perhaps a tad unsportingly, some Americans are trying to steal the record back for themselves in this anniversary year I gather, using a mechically tarted-up steam loco out in the US somewhere, as they apparently someone cannot stand that an old fashioned country like Britain can hang on to an equally old fashioned record like the fastest time for a steam loco.  America, land of innovation- surely they should be instead putting their effort into building some sort of super high-tech radioactive megatrain which will travel faster than anything else known to man? 

But wait, there's more train photos!  A few quick snaps from the Keighley and Worth Valley Railway Steam Gala.  Well, when the railway runs past the end of your road and you have to walk alongside it on the way to the Day Job (he says, tying the whole rambling mess of this blog entry together into some sort of theme) it would be daft not to take a few pictures.

Anything else to add to this slightly rambling blog entry?  Not really.  Couple of images from the "Intercity" series on display at Cupola Contemporary Art in Sheffield from Friday, a few entries for open calls in the offing, but otherwise fairly quiet at the moment.  In order that it makes sense, I may make Amy do the next blog entry...

Cheerio,

Ben

Summer Toys, in the Bleak Midwinter...

So yes, the depths of winter, not the most obvious time to do a project featuring summer toys, but on the other hand maybe a nice bit of colour and light during the days of snow and rain is a fitting way to do things and banish the winter blues.

  

The "Inflate/Deflate" project is an ongoing and somewhat sprawling body of work, which originated back in the distant depths of University, and which has been ongoing in various forms ever since.  Essentially fits in with a lot of my projects, featuring angles of nostalgia and uses toys.

It originated with a Uni project brief back in 2004 to photograph a “football sized object” as part of a generic shoot to get us used to studio working/lighting.  And being as I couldn’t come up with any ideas (despite loads of experimenting) I just bought a ton of football-sized objects, including a small-ish beachball.  The initial shots being boring as hell, the revelation came when I knocked the lamp over and it fell behind the ball, illuminating it from behind.  Hey presto, a rather eyecatching image which got good marks for the project.

The next year I was part of a small group from Uni who staged an exhibition ".RAW" independent of the college, and wanting an eyecatching and colourfully upbeat project as a change from doing constant landscape shoots, I decided to revive the earlier inflatables shoot.  The original ball was long gone, but I did have a much bigger transparent beachball leftover from the “Happygoth” fashion shoot (more on this in a future post).  This ball was immense though, and too big to properly shoot a full-size pic with it.  So I ended up shooting close-ups, going for more abstract angles.  Hey presto, the project was properly born.

The next year I started to try and acquire a few more inflatables for a reshoot of “Happygoth”, and planned to do some more shots for “Inflate/Deflate” with them afterwards.  This project massively grew in scope when, during the purchasing of props for “Happygoth”,  I was able to acquire an absolute ton of inflatables and other summer toys at a stupidly cheap knockdown price from a seaside shop that was closing down.  Since then I’ve managed to acquire some more toys in similar fashion, been gifted some from friends, and occasionally bought new toys when I’ve seen them suitably cheap in the shops.  It has meant a massive box of toys, but luckily deflated they don’t take up much room, and have proved a handy resource for other shoots (both for myself and fellow photographers), not to mention handy for seaside holidays.

The project has had several spin-offs to experiment with the basic concept- shooting out of doors, shooting against white backgrounds, in water, underwater, multiple exposures, with models posing with the toys, but I always end up returning to the still life abstract shots as the strongest series.

One of the experimental underwater shots- nicely abstract, though would be better/easier with access to a swimming pool to do the shoots with, rather than the freezing cold sea off Wales...

Having had a bit of time off over the winter from the main Day Job, I decided to basically reshoot the entire project.  Originally the majority of pics had been shot at 72DPI with my trusty Cannon 350, but with a D90 at my disposal now, the opportunity was there to shoot sharper, higher-res pictures.  So out came the summer toys, the spare room was converted into a sort of mini studio for the shoot, and away we went.

The ‘set’ is the same as it has always been throughout the shoot- a black bedsheet with some extra black velvet backdrops, and a single spotlamp used for the illumination.  The only change this time was to quickly spray the lamp black so it wouldn’t risk showing up too much in the pictures.

One handy decision this year was to invest in an electric pump, as blowing them up by hand pump took ridiculously long during previous shoots- inflating and deflating the toys taking invariably longer than merely shooting the actual pics with them.  As a quick note, they have to be blown up my pump to avoid the forming of condensation on the insides of the toys which affects the pictures somewhat. The electrical pump was worryingly efficient, to the point of actually exploding about half a dozen toys...

Thought I’d include this (at the risk of sounding like one of those people who write into the Daily Mail) just to show the absurdities of modern Health and Safety info.  If it's recommended that you can't play with an inflatable toy in the water, outside near stones or other pointy/hot things etc then what exactly do they recommend you do with it?

As can be seen, moving the lamp to the back of the toys creates a rather fantastic effect to the shots, making the images much more distinctive and abstract.  The only downside with the project is the relative fragility of the toys- some burst when they’re being inflated (as the best light effects with the shots come when the toys are blown up rock-hard), others get wrecked by the thin plastic being melted and burned on the red-hot spotlamp.  Getting stoned on the smell of melting plastic being an interesting side effect of the project from a health and safety point of view…

 Something I had a bit of a play with this time was doing some long exposure/rapid zoom shots, just to see the kinds of weird effects that could be created...

The tunnel of rings abstract is inspired by an installation done using inflatables by a nice artist whose work I stumbled across recently, a lady by the name of Janice Thwaites.  There’s more on her website here http://www.janicethwaites.org.uk/placetopray.  The tunnel pictures were something I liked the look of, and had sort of touched on in a past shoot, but not with the sheer number she had used, so this is an acknowledged nod towards her work, given her very helpful advice to me when trying to work out the logistics of exhibiting a show with inflatable toys in a gallery environment.

So what of the project now?  I have in the past designed a self-published book of the images, in the hope of some day getting the project published.  Its been exhibited as part of group shows a couple of times, and I’m hoping to exhibit it as a standalone show at some point soon.  Of course, now that I have posted pics from the project here On The Internets, no doubt there’s a risk of a much more famous and rich photographer perhaps stumbling over the images and stealing the idea and making tons of money off it, but hey-ho.

Its also partially because I’m gearing up for a fashion-type shoot which is an extension of an earlier spin-off, featuring models posing with the toys... though more on this later on in the year if/when that project gets developed.

Ben 

Deer, Snow, Trains and Beach Toys- Jan-Feb 2013

So, despite the best laid plans in the last post, of updating more regularly on here, things went awry.  Largely because the laptop decided to throw one of its semi-regular wobblers, and had to be restored to factory settings.  Not that this is a regular occurrence or anything, but the supplied System Restore Disc is starting to look rather worn from overuse...

So, now that we have rejoined the computer age, a catch-up of January's goings ons...

Art...

For a change, we managed some of the Art side of Ribbon Art and Photography, Amy having embraced doing animal illustrations, which started out as example pieces for the Day Job, but which has now expanded out into a full scale project, more on which in a future post.

...and Photography

This may have passed people in the UK by, but some may have noticed the snow we recently received.  Despite the collapse of transport infrastructure, the complete failure of the postal delivery service for several days, and the newsypaper headlines shrieking "SNOW APOCAGEDDON!" and so on, most people, ourselves included, just got on with life, and took the opportunity to snap a few pictures.

Being as every other person with a camera in West Yorkshire seemed to be out taking pretty landscape photos, I ended up doing some more abstract stuff, hence the duck footprints above, and the long exposure 'rush' shot, both in my perennial favourite photography location, Hirst Wood, Bingley.

It wouldn't be a photography outing without some train shots, largely because there is the outside chance of getting something in print.

Trains in the snow.  Grubby, running slightly late, perhaps a little boring, but still the sort of shot that would seem to be of interest to magazines on occasion. 

Rather nicer trains in the snow, a bit closer to home on the Keighley and Worth Valley Railway.  A day marred somewhat by the police hunt for a murderer further down the valley, which did at least explain the suspicious looks we got from the van full of police whilst we were walking up the valley in the morning.  Anyway, the shot shows the visiting Lancashire and Yorkshire loco 1300 piloting the resident 957 out of Haworth.

Exhibitions.

Just a quick word on exhibitions- The above shot was in the "Dromology" exhibition at South Square, Bradford, which finished last week, and we both have work up at the lovely Cupola Contemporary Art Gallery in Sheffield, to whose group shows we have often contributed in the past.  Though both these shows will be over by the time this post goes up, its nice to recount the exhibitions we have been in.  Nothing on the immediate horizon at the moment, but this time of year is always like that whilst we wait for galleries to announce their open call programs.

Ongoing/Upcoming Work

In actual photography news, we're both working on various projects at the moment- Amy is starting to develop the fore-mentioned Animals project, I'm reshooting an old project from Uni days, "Inflate/Deflate" whilst I have time and opportunity to do a sprawling still life shoot.  Its practise for an upcoming project, and also partially to bring the images up to scratch now I have a better camera than the originals were shot on. 

Basically the shoot consists of abstract photos of inflatable toys, but there is a bit more to it than just that, so I'm going to assemble a separate post in a bit about the shoot.

In other shoots, the surviving figures from the Britannia Model Village project will be getting an airing, as part of an 'intervention' project for an open call, more on which after the shoot is, er, shot, as at the moment it consists entirely of ideas in my head.

And so that was January- Feb should bring some more projects and shoots, though my day job shifts up a gear as we head into the 2013 season so this may play merry hob with some planned photography, we shall have to see.

Ben

Sat in the cold in Keighley