Friday, 2 June 2017

Return to Llanberis


OK so photographically speaking we have kind-of done Llanberis Slate Museum to death in recent years (it's a very good museum, but also it is free, indoors, and when you have three small children to look after and you're in a country where it rains a lot, these latter two benefits become terribly important) but here are a few pictures nonetheless.



As you can see from the above shot, outdoors it was very gloomy, but the lighting inside through the slightly dusty windows was nice.  So we decided to do some more close-ups on some of the details inside which caught our eye, like cogwheels, switches, phones and so on.





Oh and finally, the token transport shots of the day, this time an RAF Chinook making a low pass over the museum.


Thursday, 1 June 2017

The Glaslyn Pass


One of my (Ben's) favourite locations in Wales is the Glaslyn Pass, near Beddgelert.  A former regular haunt of ours for walking and photography, a narrow path winds its way up the dramatic and rocky gorge from the National Trust car park at Aberglaslyn up to the village at Beddgelert itself.  The problem has been that until recently The Childs were not up to the path, particularly the youngest two, so we've been giving it a miss.  This year we decided they were old enough to hack it, so we thought we'd try and walk it over Easter.


Unfortunately whilst the scenery was as dramatic as ever, the weather was dull as three-day-old dishwater.


The sun did put it an ever so brief appearance, but it still wasn't brilliant (especially as it waited until we were at the less dramatic upper end of the gorge to peek out of the clouds)...


...so we thought we'd try some greyscale shots instead.




Overall a little disappointing after three years away, but we had a bit longer on the holiday so thought we'd try again later.


One of the appeals to a railway photographer is that the Welsh Highland Railway threads its way along the side of the gorge, so whilst personally I prefer at this location to photograph the landscape I decided to squeeze in a bit of railway shooting too.  The problem for me is that whilst the setting is beautiful, the trains are not; the Garratt-type locos are impressive from an engineering viewpoint but not exactly aesthetically pleasing, on top of which they only run a couple of times a day... the dull conditions also necessitated a greyscale shot at the lower end of the pass, just before the tunnel, though at least here the path allows a nice railside shot.


A little further south still is the little-used halt of Nantmawr, which we were mainly visiting as a research trip for a project the Elder Child is doing, so only a token snap from there.


Easter Monday was a typical British Bank Holiday -wet- but we donned waterproofs and headed out whilst the lunch cooked.  This is Pont Croeser looking moody, still in the Glaslyn Valley but at the calmer, estuary-end of proceedings.  Here there is another station, an RSPB bird hide, and nothing much else, and the rain discouraged us from spending too long around here.


Opportunity for another train shot though, crossing the Glaslyn, and whilst I was tempted to go greyscale the vivid appearance of the yellow flowers stopped me.



Right at the end of the holiday (typically) the weather cleared, so with the kids in the company of my parents, me and Amy decided on a desperate last chance to photograph the Glaslyn Pass in decent conditions.


Much better- and with two trains due, it was time for a scramble up the sides of the pass.


The location for the southbound (which was coming second) was easy...

...but that of the northbound which was due first was a little trickier due to the sun being to the south at this point.  This was a spot I'd used before about six years back, but it was lens-flare-o-rama on this visit, and typically no flare-hood in the bag.


Too late to do anything, here came the train, so balancing madly on a rock, shooting with one hand whilst holding the other above the lens to stop the flare, I got the shot, though again in greyscale because of the harsh lighting.


Back down the valley a bit to the first location, and much better lighting conditions here.


And a much nicer picture, in colour.  Whilst I have to admit that I don't find the trains too inspiring, as a location for railway photography it is pretty top-notch.


Then it was a stroll back down the pass.


All in all we were quite happy with how it turned out, we were just lucky the last day yielded better weather really.  Good to be able to walk the area again, and hopefully we can get back there in the summer when the trees will be in full leaf.

Tuesday, 30 May 2017

Easter, two trips to Barmouth


Starting the 'general' (or at least, non-project) backlog of pics from Easter, two days at Barmouth, West Wales.  Easter is never that good a time to hit the beach, at least if you want to go in the sea, but we went anyway.  No real message or anything with these pics, just some landscape shots...

First, the token Railway Photography, even if the subject matter is a little dull (Arriva class 158's, bog-standard units which monopolise services up here) and the weather naff.


Even lens filters couldn't really save the above pic...


The rest of the day didn't involve much photography come the finish, though there were some chances for shots when the low cloud eddied around the hills...



The return a week later was rather better, sun and sky-wise, but what the above pic doesn't really show is the gale force winds which periodically blew sandstorms around the beach...



Still, good kite-flying weather.



A hint of the sand problem, as our little encampment was progressively buried.


We did however discover the remains of the sandcastle The Childs built the previous week though...


So, two days, two wildly different sets of weather, and a few opportunities for landscape photography...

Sunday, 28 May 2017

Project: Tower Block


So, a long spell with no updates again... a mix real-life, being away on shoots, and updating (finally) the folio site to better reflect that we're more Fine Art photographers nowadays.  Still, lots of pics to post from Easter (and some big projects) so lets dive straight in with a concept shoot of mine (Bens) from the Easter Hols, "Tower Block".


This was something of a trial project, trying to experiment with light and silhouettes for an Open Call for an exhibition, and comparing/contrasting urban and countryside imagery.  I wanted the tall, stark shapes of a block of flats (such as the rather austere example in Bingley, next to the Leeds Liverpool Canal which I photographed a couple of months back). 

Back in the days of "Inter-City" http://ribbonartandphotography.blogspot.co.uk/2015/02/project-intercity-2015-reshoot.html  I experimented with making passable skyscrapers from packing crates and file boxes and thought something similar might work this time.

This is the sort of thing which will be going on the model making blog soon, but I'm still getting ready to re-launch that so in the meantime, it can go on here...


I should point out we were in Wales at the time, and this was a very short-notice shoot, so a rush down to town and a wander around Wilkos for inspiration turned up this fold-out stacking crate.


A sheet of thick card from the local art shop, and some judicious cutting and gluing resulted in a large-ish standing structure with a kind of cardboard tray which would hold the crate in the right shape.


A few more bits of card and rubbish were added...


Then it was outside to blast the lot with black spray paint from a rattle can.


As with the Inter-City shoot buildings, the inside was covered in masking tape to diffuse the light from some LED push-lights strung up inside, and the effect seemed pretty good.


Then one evening it was off up into the hills to get some test shots- I was mainly up there to snap some pics for another project which needed total darkness, so this was something to do during the twilight...



Much playing with the settings on the camera (and a little tweaking in Photoshop of the hue/saturation) gave the effect I was after.

Certainly the more dramatic angle, below, worked better for me.  As it happened though I didn't end up running with the idea for the Open Call come the finish, but I reckon I might do more with the idea in the future, and the design of the building miniature itself is something I can re-use for the upcoming shoots for "Inter-City".

You may notice the blog has changed design a bit, in line with the new, darker theme of the folio site.  Given we were doing a lot more night-time photos with bright colours, it seemed better to move away from the light blues/whites/greys of the old site... new folio, with some new work (and a proper list of the exhibitions we've done) here:

http://www.ribbonartandphotography.co.uk/

Should be back to regular updates now, so another post from Wales at Easter coming soon...